It was fun. And interesting; and intriguing of course. The show gave me lots to think about.
Good.
Personally, I’ve always liked Neil Patrick Harris. IMHO he is a charismatic and very talented performer, and more so even now than he was when I first became acquainted with him in Doogie Howser. Man, I loved that show. I identified with his character so much… in a TV landscape that at the time celebrated mediocrity, Howser really stood out. I watched the show religiously.
Howser was a kind of idealized prodigy, if I remember correctly. He was a prodigy with a superhuman maturity to match his superhuman intelligence, and he had the smarts without the obsessions (note that I’m recalling this from childhood memories, so this might not be 100% accurate). I was a child prodigy too of course, so I kind of wanted to be Howser back then. Since that show ended, I’ve always rooted for Harris to succeed, so it’s good to see him do so. He was pretty good at hosting these Oscars. The critics are being too harsh, I think.
It says something about his confidence and talent that I never suspected back then that Harris might be gay in real life. In fact, I’d always assumed the polar opposite. I’m recalling now one of my favorite moments from Howser- the one where Howser, the uptight prodigy, takes a chance, gets up on stage, and really speaks his mind honestly about things like growing older. Emboldened, he afterwards asks a girl he likes for a kiss, and the girl, enamored with his newfound confidence, gives him a big one. That was one of my “Eureka!” moments growing up.
This brings me to my next topic.
Throughout the Oscars, I kept thinking one thing, and that thing is: I really do need to watch more new-ish media. Honestly, this is getting ridiculous. Lately all I’ve been doing is plumbing the depths of 80’s and 90’s era underground anime. It’s good, some of it is great, but it’s getting quite repetitive, and the stuff I’m watching now is just so, so far outside the mainstream that it’s kind of messing with my expectations of what a film should be. I still have a handful of films and series I need to finish up- I still have yet to see Serial Experiments Lain, Witch Hunter Robin and Detonator Orgun, amongst several other key titles- but after that I’ll definitely need something else. Preferably something very different and I mean VERY different. Hopefully, I’ll find something to watch that isn’t overtly inspired by Satanism, for example.
Back to the Oscars… some random thoughts now, most of them good. I guess I had fun watching this year. First, Emily is fantastic. She was just so gracious, stately and kind throughout the whole show. She really impressed me. How cute is it that she brought her mom? And they were both gorgeous, too! Taylor had better thank her lucky stars that I have 10x the pictures of her than I do of Emily, because if the situation there was somehow reversed…
Lady Gaga hit a grand slam with her performance. As expected of her. She has always had a monster talent hidden underneath all those outfits. I saw her special with Tony Bennett and she rocked that performance, too, so her singing at the Academy Awards wasn’t a shock to me like it was to the kids on twitter. I got a few good laughs reading their surprised reactions to her.
Meryl Streep is a class act. She just rules all around. She has a kind of poise and mastery of her craft that I rarely if ever see in performers of the instagram generation. She knows how to command an audience and a stage.
Marion Cotillard was nominated again… and again I’m surprised at my icy and unwarranted indifference to this. I don’t understand my feelings towards her.
Marion was one of my idols in college. And unlike so many actresses that I’m fans of today, I’ve actually seen Marion’s movies. That is of course in addition to me having an encyclopedia of her pictures and video clips on my hard drive.
Marion was the top girl in the long list of French actresses that I was obsessed with back in the day. There was her, and then there was of course Julie Gayet, Sophie Marceau, Elodie Bouchez, Ludivine Sagnier, Virginie Ledoyen, Salome Stevenin, Roxane Mesquida, Lou Doillon, and… many, many others. So deep was my love for French cinema that I even became well acquainted with some of the independent film stars active in France from the 80’s to the early 2000’s.
This is really OT, but the French approach to filmmaking resonates with me more than the American one sometimes. Too many Americans, even film buffs, dismiss French cinema as “weird”. It isn’t weird at all. It’s just that French films tend to be a bit less commercial and more subliminal than American films, and they sometimes don’t have the firm dividing line between conscious and unconscious themes and images that American films have. This is a tough thing to explain, but it’s something like this: American films tend to be either hard fact or pure fiction; they are either 95% fantasy or 95% reality. Rarely if ever do you see a film that’s 85% real and 15% imagination made in the USA, but you do see this mixture often in French cinema. And it’s often the case that the fantasy elements in such films are used to bring out truths in the reality part that you couldn’t see otherwise. At least, that is what this amateur critic thinks.
Contrary to what most Americans believe, I’ve always thought that French films are quite grounded in the real world, and that their directors do tend to have a firm grasp of things. I would in fact say that they have a firmer grasp of the gritty nature of things than many American directors had back when I still watched blockbuster movies. It’s just that it tends to be of a different style than what we’re used to.
Take the way that French films show relationships. The French are famous for their sex scenes, yes, but they also are quite good at showing the other parts of interpersonal relationships. They have a way of making even the most mundane things about relationships seem interesting. IDK if I would have the relationship abilities that I have today without the French cinema. TBH, I don’t think I would.
I should write a separate blog post exploring my feelings for French film and it’s culture, I think, now that I’ve started writing about it. This topic is obviously too big for here.
So back to Tinseltown and Marion… why am I so actively indifferent to her now? It makes no sense. I wonder that every time I see her name mentioned in relation to something prestigious like the Oscars. IDK.
Maybe it’s because she’s now famous to everyone in the States. Back when she was my favorite, you could count on one hand the number of people here who could recite her filmography, and I was well aware of how cool that made me. But now that she’s big in the US, I’m almost spiteful. No, I am spiteful. Wow… am I really that small-minded?
Yup. Apparently. I have a tendency to be spiteful and cruel to people who I perceive have given me slights, even if they are unintentional. Somehow, Marion found herself on my shitlist of doom without really doing anything to upset me directly. That isn’t good. She didn’t do anything wrong and I should be happy for her success. I need to work on that.
Or… maybe not. I don’t know her. Why should I care, really?
I thought that Graham Moore was brave, speaking publically about his past in the way that he did. Hopefully, he helped someone that needed it. The same goes to Dana Perry. Good for them for bringing the topic of suicide to light. Hopefully, we can fix that little epidemic before it gets worse.
The Oscars are long. IMHO it’s necessary to have something to do while watching, especially if you’re going to take in the red carpet stuff. This year, I was watching the show in the basement, since the big screen was being used for something else. This turned out in my favor, as I got to experiment with some new exercises. I grabbed the lightest pair of dumbbells we owned- a pair of fives- and got to work experimenting on some possible new lifts while I watched. It helped to break up the monotony, which is absolutely essential. I spent 5 hours watching this year, so…
Speaking of time, one thing that annoyed me this year was the same thing that I think annoys everyone, every year, which is the fact that some winners early on get their speeches cut short. I understand the reason for this; it’s a slow 3 hour plus show, but I don’t like seeing it, especially in those instances where there are 4 or more people up on stage with something like a minute to split between them. With all the fumbling around, that works out to maybe twelve seconds a person. Not sure of what the solution to that problem could be, though, as I don’t want the show longer than it is. Maybe there isn’t one.
Or maybe they could do this: perhaps some categories could be folded into the technical Oscars, and the winners could be given greatly extended times for their speeches. Then maybe the technical Oscars could be posted online in full, permanently, on Oscar.com, so that anyone could see them at any time. Since they’re not broadcast on TV, why not do this? That would make the main show shorter and give the tech winners the time they deserve, I would think. The technical Oscars themselves might even develop a following this way! I’ll bet they would. People are curious about this hidden part of things. So why not?
Ok, now let’s talk about my one major criticism. My reader knows it’s coming, and what it is. It’s this: It. Just. Doesn’t. Work.
I’m referring to the Selma, black power, “We Shall Overcome” bits. They didn’t work. They were jarring as hell. Whatever the Academy was doing last night with this stuff it didn’t work in their favor.
It looked sad. Out of touch. Out of place. We have a black President, but one of the overriding themes of the night was how blacks have to “overcome racism” as if we are still in the fifties. Guys, don’t. DO. This.
Especially not now. People have already bent over backwards for over fifty years now to accommodate the “Civil Rights” movement under the assurance that this stuff would eventually go away. Now we have a black President, and it isn’t going away. It’s getting worse, more in your face, more aggressive and more intrusive and angry. STOP. For the love of God, just STOP.
At best, it makes you look like bullies. What all of this looks like, what it is, is the richest and most powerful people in the country lecturing the poorest and most isolated people (rural, “low class” whites) about how their past is evil and how they should be ashamed to defend their culture if not even their lives. This looks very, very bad. It looks sadistic.
Not to mention that it also looks sad. It is simply depressing to see it. Hollywood looks desperate when they do stuff like this; it looks like they can’t come up with a vision of the future, so they need to rehash their past successes, over and over and over again.
Yes, the Civil Rights movement was a success and Hollywood was an instrumental part of that success. But it’s time to move on from that stuff. This isn’t the sixties anymore and based on what I’ve seen of it, people in the real world today can’t relate to any of the themes in Selma at all. There are good reasons that Selma bombed so epically. THINK.
I hate to spend so much time on this, but my opinion here must be heard. This stuff needs to end. I’m getting a nightmarish vision now of the 2035 Oscars being all about “Overcoming Racism”, just like every Oscars from now until then. Yeeeechhh! But, maybe that won’t matter. Is there anyone at all who will be watching the 2035 Oscars in that scenario? I won’t be, that’s for sure.
And one last thing: it’s clear that the Academy wasn’t presenting the material in Selma as a historical curiosity, like they do with, say, period pieces about the 1800’s. No, it’s clear that they wanted Selma to be all about the America of 2015. Square peg, meet round hole.
Oy.
Other things… I did like, very much, the graphics this year. The visual effects were very well done, I thought, especially during the in memoriam segment, which was touching and well presented. I liked it much better than I have in years past, when celebrities were allotted more screen time than non-famous people.
Even the stage itself I liked. At those times when it was filled with stars (the night kind) it looked almost like those old maps of the Zodiac. Very cool.
So all in all it was quite a show. Good stuff and interesting. Hopefully, the major problems I saw will be corrected in future years.
I’m sure they will be.